#The court jester becomes the king movie
#The court jester becomes the king series

He lands in deep trouble when the king's sexually aggressive daughter sneaks into his bed and comports herself like a ''freak. Jamal is shocked, just shocked, by 14th-century sanitation and table manners. The film, directed by Gil Junger, has its predicable quota of off-color humor. The climactic battle sequences are chaotically goofy without being much fun. The sequence barely taps the situation's comic potential. Pressured to ride a horse, Jamal finds himself dragged around by the animal but saves face by treating his ineptitude as a jester's entertainment. The comic action sequences try for sharp farcical spoof but fall short. But we already have fire, comes the retort. In one scene, as Jamal is about to be executed, he tries to save himself by claiming to be sorcerer who can conjure fire and pulls out a cigarette lighter.

The sight gags that parody ''A Connecticut Yankee'' tend to fall flat. When Percival tosses out the word ''Moor,'' it is delivered with the supercilious edge of a preppie brat. His fiercest opponent both in the battle and for the attentions of Victoria, a beautiful chambermaid and rebel leader (Marsha Thomason), is snobbish, flinty-eyed Percival (Vincent Regan). Jamal takes umbrage whenever he hears himself disdainfully referred to as ''the Moor.'' When two of the outlaws, Hubert Hawkins and. But fate conspires to put the child in greater danger than ever before. The Black Fox, and his band of outlaws, have sworn to protect the true king. Roderick recently usurped the throne as king and now only an infant boy survives from the true line. This edition comes with hip-hop flavoring and a mild antiracist message. The royal family of old England has been wiped out.

#The court jester becomes the king movie

The entire movie is itself a formula: another variation of ''A Connecticut Yankee in King Arthur's Court'' (with a nod to ''The Wizard of Oz''). Before you know it, everyone is gyrating madly to a quasi-medieval arrangement (and quite contemporary-sounding version) of Sly and the Family Stone's ''Dance to the Music.'' Approaching the court musicians, he prompts them into becoming an acoustic funk band. When commanded to demonstrate some Norman dances (Jamal has been passing himself off as a messenger from Normandy), he flounders around gawkily until an idea hits him.

#The court jester becomes the king series

After a series of silly mishaps he ends up court jester to the despotic King Leo (Kevin Conway).

When Jamal accidentally tumbles into the park's filthy castle moat, he finds himself magically transported to England in the year 1328. Lawrence), who toils grumpily at Medieval World, a dilapidated outdoor fantasy kingdom rapidly heading for the junk heap. The messenger of the big beat in this case is a disgruntled theme park employee, Jamal Walker (Mr. The funniest scene in the innocuous new Martin Lawrence comedy ''Black Knight'' reworks a surefire formula that has perked up dozens of otherwise routine comedies since the birth of rock 'n' roll: a pied piper of hip brings funky rhythm to the squares who spring to their feet, unable to resist the call of the wild.